[#KeepgoingTOGETHER Vol. 11] Atelier Radio NOCTURNAL - EU・ジャパンフェスト日本委員会

[#KeepgoingTOGETHER Vol. 11] Atelier Radio NOCTURNAL

Yusuke Aonuma|Artist

1. Impressions of your online distribution

・ The viewer can deepen understanding, by seeing the work process.

・The viewer can know the state of now and impact on each cultural activity by COVID-19  through various guests. Also, It can be work as the core of culture.

・It became a chance to get to know personality as an artist.

・We can share impressions and troubles in the process of the work with the viewer.

・Through this live streaming, various artists have come to be known.

・Repeat viewer has been increasing.

・It could be an advertisement for a solo show which has been postponed. The number of people who want to see real work is increasing.

2. Utilization and Development of Online Live Streaming for Forthcoming Activities

After the government declared a state of emergency, I start of necessity the live-streaming. And then, including Isana Yamada and Akika Kurata to the member, it starts to spread the guests and topics. And also, my working became regularly by not miss this live-streaming every day and became routing in part of people’s daily life. After we start to invite guests, we have every different kind of topic. The work which is on air the streaming has been spent for many days. We settle on this new form which is continuous content of working streaming and a guest topic which is easy to invite new viewers by devising ways every day. Repeat viewer has been increasing now, we want to continue this activity even after COVID-19 is over.

3. Time, number of people, and the environment required to prepare for online distribution.

・This program has been organized into two parts and streaming from their own studio. We change from Instagram because of a number of viewers and image quality. Since Twitter has more followers for each member, the number of views increased. When the live-streaming starts, it is also considered that it is displayed at the top of the timeline. And because the image quality is better, the work process is easier to see. Twitter was the best in both the work process and streaming. The problem is that viewers and guests need to use another application “Periscope” for comments or participate. And also, being able to comment easier, It will be a factor to increase core fans.
・Media: Periscope or Twitter live-streaming.
・Two of us are using the iPhone. We haven’t satisfied with image quality.
・Using earphone microphone.
・Basically personal organization: 3 MC and 1 guest.
・Live-streaming held every day from 20:00-22:00 for 2 hours.


Atelier Radio NOCTURAL

  • Date:  5 May (The 25th Night)
  • Contents: 
    This is a new form of live-streaming called “Atelier Radio” where artists talk with guests while working in the studio. Under the influence of COVID-19, we artists are forced to reduce our activities. Therefore, we planned live-streaming to stimulate the viewer’s intellectual curiosity by showing the state of production from the artist’s studio and interacting with various creators.
     The radio personality is Yusuke Aonuma, Isana Yamada, Akika Kurata. Live streaming is in 2 parts: every day at 20:00-21:00 from the Yamada’s studio and at 21:00-22:00 from the Aonuma’s studio.
  • Promotion tool: Twitter, Instagram
  • Distribution tool: Twitter, periscorp
  • Number of the audience: 
    5 May, the number of view via twitter/Prescope is 1125 (in total of two sessions, As of 8 May)